{"id":1458,"date":"2013-06-11T20:57:05","date_gmt":"2013-06-11T18:57:05","guid":{"rendered":"http:\/\/95.141.36.44\/apache2-default\/queenmuseum\/?p=1458"},"modified":"2016-12-19T22:42:33","modified_gmt":"2016-12-19T21:42:33","slug":"queen-1973-2013-40-years-from-their-debut-lp","status":"publish","type":"post","link":"https:\/\/queenmuseum.com\/?p=1458","title":{"rendered":"&#8220;Queen&#8221; 1973 &#8211; 2013 40 years from their debut LP"},"content":{"rendered":"<p>&#8220;Queen&#8221; was officially out in UK \u00a0on July 13th 1973; \u00a0you probably know everything about early days and how the come to an agreement with EMI records to release their first work. Here We will focus on the collector aspect of their debut LP. Sometime additional useful informations can be taken from original press sheets, withdrawn editons etc.. so let&#8217;s start&#8230;<\/p>\n<p>Finding acetates or reel to reel copies of the master tapes is quite impossible. Only few appeared in the auction houses and on private sales.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2338\" aria-describedby=\"caption-attachment-2338\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-2338 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/QueenIacetate_wm.jpg\" alt=\"A rare Trident 12&quot; acetate with full album, probably dated late 72. This version contains a different version of Keep Yourself Alive.\" width=\"450\" height=\"255\" \/><figcaption id=\"caption-attachment-2338\" class=\"wp-caption-text\"><div class=\"2416a19e08873d0076105f82e7f970da\" data-index=\"4\" style=\"float: none; margin:0px 0 0px 0; text-align:center;\">\n<iframe src=\"https:\/\/rcm-eu.amazon-adsystem.com\/e\/cm?o=29&p=26&l=ur1&category=prime_video&banner=145YC6XKJN2WZ21YRD82&f=ifr&linkID=04b588e03156f0ac163b0eee69e01120&t=queenmucom-21&tracking_id=queenmucom-21\" width=\"468\" height=\"60\" scrolling=\"no\" border=\"0\" marginwidth=\"0\" style=\"border:none;\" frameborder=\"0\"><\/iframe>\n<\/div>\n\r\n A rare Trident 12&#8243; acetate with full album, probably dated late 72. This version contains a different version of Keep Yourself Alive.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1493\" aria-describedby=\"caption-attachment-1493\" style=\"width: 497px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-1493 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/reeltapequeen1973_wm.jpg\" alt=\"reeltapequeen1973_wm\" width=\"497\" height=\"500\" \/><figcaption id=\"caption-attachment-1493\" class=\"wp-caption-text\">A Trident 10&#8243; reel to reel tape (copy of Master) of the B side of their debut LP. Dated May 22nd 1973<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The very first piece of vinyl (not acetate) with the first Queen work on it is what in the collectors language is called &#8220;Pop Conference&#8221; Test Press LP.<\/p>\n<figure id=\"attachment_2328\" aria-describedby=\"caption-attachment-2328\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-2328 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/popconflpA_wm.jpg\" alt=\"Queen EMI Pop Conference LP\" width=\"450\" height=\"415\" \/><figcaption id=\"caption-attachment-2328\" class=\"wp-caption-text\">Queen EMI Pop Conference LP<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>I could not find any information about when this conference was held. EMI organized one in 1973 to promote three new artists. One was Queen, the other two were Blue Mink and James Webley ( the EMI&#8217;s answer to Elton John, at least so they hoped).<\/p>\n<p>All three artists used the same Die Cut promo cover, featuring on the back images and contact informations of EMI managers.<\/p>\n<figure id=\"attachment_2329\" aria-describedby=\"caption-attachment-2329\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2329 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/popconflpB_wm.jpg\" alt=\"Queen EMI Pop Conference LP B\" width=\"450\" height=\"436\" \/><figcaption id=\"caption-attachment-2329\" class=\"wp-caption-text\">Queen EMI Pop Conference LP B<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Matrix numbers:<\/p>\n<p>A side: YAX 4623 &#8211; 3u KIP-HUGGYPOO-KISSY \u00a01 G<\/p>\n<p>B side :YAX 4624 &#8211; 2u OFF WITH HIS HEAD \u00a01 G<\/p>\n<p>There aren&#8217;t reported any earlier matrix codes (3u &#8211; 2u) for their UK debut LP. Please check <a title=\"Matrix Numbers: decoding the dead wax\" href=\"https:\/\/queenmuseum.com\/?p=1456\">this article about decoding UK matrix numbers<\/a>.<\/p>\n<p>So the first press of the commercial issue should have these codes in the run-off groove. Apart from the &#8220;1 G&#8221; letters which identify the mother and the stamper all the other informations should appear on copy released in July 1973. Catalogue number which EMC 3006 is reported on the promo sheet given with the LP.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>All the publicist and press people were given the very first Queen press kit with informations about this forthcoming \u00a0release. It&#8217;s not sure if the purple envelope with the Queen gold crest was used to contains the promo stuff. Maybe it was used in the next weeks or month as promotion for both the LP and the UK tour supporting Mott the Hoople.<\/p>\n<figure id=\"attachment_2332\" aria-describedby=\"caption-attachment-2332\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2332 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/purpleenvelope-photo_wm.jpg\" alt=\"EMI Queen Purple envelope 1973\" width=\"500\" height=\"403\" \/><figcaption id=\"caption-attachment-2332\" class=\"wp-caption-text\">EMI Queen Purple envelope 1973<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The EMI promotional 10&#215;8 photo is not a proper photo paper but more similar to card paper, the back is brown. This the same photo early fans, writing to Trident before Fan Club were born, received fully signed by the band!!<\/p>\n<figure id=\"attachment_2326\" aria-describedby=\"caption-attachment-2326\" style=\"width: 388px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2326 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/conferencepromosheet_wm.jpg\" alt=\"press sheet Queen 1973\" width=\"388\" height=\"450\" \/><figcaption id=\"caption-attachment-2326\" class=\"wp-caption-text\">Press sheet given with the conference LP<\/figcaption><\/figure>\n<p>There&#8217;s an interesting information in this sheet. The Release of the album is promoted together with the issue of the first Queen single out on June 15th.<\/p>\n<p>You probably know from Queen bio&#8217;s that the first Single <a title=\"Keep Yourself Alive\" href=\"https:\/\/queenmuseum.com\/?galleryfolder=keep-yourself-alive-2\" target=\"_blank\">&#8220;<\/a><a href=\"https:\/\/queenmuseum.com\/keep-yourself-alive-7\/\">Keep Yourself Alive\/Son &amp; Daughter<\/a>&#8221;\u00a0was out on July 6th, and not on June 15th. But Recently a copy of a demo 7&#8243; appeared featuring on the label this date which matches with what is reported on that promo sheet. According to a uk journalist who worked for EMI back in 1973 in promoting records, this was withdrawn for a wrong mix, even if no substantial differences were found with the released version. All copies were destroyed but a dozen were saved by him.<\/p>\n<p><a href=\"http:\/\/www.brianmay.com\/brian\/brianssb\/brianssboct09a.html\">\u00a0<\/a><\/p>\n<p>&#8220;Queen&#8221; or the album which many collectors and fans call &#8220;Queen I&#8221; was released July 13th in UK with this picture sleeve:<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2333\" aria-describedby=\"caption-attachment-2333\" style=\"width: 456px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2333 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/quee73LP_Acover.jpg\" alt=\"Queen 1973 LP Acover\" width=\"456\" height=\"450\" \/><figcaption id=\"caption-attachment-2333\" class=\"wp-caption-text\">Queen 1973 LP Acover<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The cover of the first Queen LP was created by Freddie, Brian and Queen&#8217;s photographer \u00a0<a href=\"http:\/\/www.brianmay.com\/brian\/brianssb\/brianssboct09a.html\">Douglas Puddifoot<\/a>\u00a0(what&#8217;s better than reading about the cover directly from Brian himself, check that link).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1511 aligncenter\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/quee73LP_Bcover.jpg\" alt=\"quee73LP_Bcover\" width=\"495\" height=\"500\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>EMI records didn&#8217;t use white label issues on LP for promotional or radio distribution. But demo LP were usually give with a sticker put on the label saying &#8220;Factory sample &#8211; Not For Sale&#8221;.<\/p><div class=\"2416a19e08873d0076105f82e7f970da\" data-index=\"2\" style=\"float: none; margin:0px 0 0px 0; text-align:center;\">\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6280590296994447\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<!-- quadrato -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:inline-block;width:500px;height:250px\"\r\n     data-ad-client=\"ca-pub-6280590296994447\"\r\n     data-ad-slot=\"6452889443\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script>\n<\/div>\n\n<figure id=\"attachment_1510\" aria-describedby=\"caption-attachment-1510\" style=\"width: 446px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1510 \" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/QUeenIlabel73factorysampl_wm.jpg\" alt=\"QUeenIlabel73factorysampl_wm\" width=\"446\" height=\"500\" \/><figcaption id=\"caption-attachment-1510\" class=\"wp-caption-text\">The label of the First issue of &#8220;Queen&#8221;. This edition came with same matrix numbers of the Conference Pop sampler LP.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>I never came across a proper test Pressing with blank white label of Queen I but probably exist both in single sided version and double version. if someone owns a copy please contact me.<\/p>\n<p>&nbsp;<\/p>\n<p>other know matrix numbers:<\/p>\n<ul>\n<li>A: YAX 4623 &#8211; 3u KIP-HUGGYPOO-KISSY\/B: YAX 4624-5 \u00a0(1) blair<\/li>\n<li>A: YAX 4623-5 \u00a0HM (5) Blair\u2019s rule\/B: YAX 4624-5 \u00a0 blair<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>There&#8217;s also a different version of the LP from 1973 which differs in matrix numbers with the usual codes we are used to see in EMI pressings.<\/p>\n<p>It comes with the following matrix numbers:<\/p>\n<p>A: EMC 3006 YAX 4623 A\/\/2 1 1 (5) a huggy Poo Kissy Kissy<\/p>\n<p>B: EMC 3006 YAX 4624 B\/\/2 1 2 7 Kathy Pat Sue Kip John Ray a?<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2340 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/QUeenIlabel73Vertigo_wm.jpg\" width=\"507\" height=\"450\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>After some research I&#8217;ve found it was pressed in a different pressing plant probably where Vertigo Pye \u00a0LP&#8217;s were produced.<\/p>\n<figure id=\"attachment_1534\" aria-describedby=\"caption-attachment-1534\" style=\"width: 365px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1534 \" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/presshkit73uk_no2_wm.jpg\" alt=\"presshkit73uk_no2_wm\" width=\"365\" height=\"500\" \/><figcaption id=\"caption-attachment-1534\" class=\"wp-caption-text\">The Three page Press kit with Queen Headed paper presenting the album and short bio&#8217;s of band members&#8230; and yes Deaky is Deacon John!!!<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The Queen machine now started and the band is back in studio working on their second album in Summer 1973 but promotion is active and a new tour is set to be in Autumn.<\/p>\n<p>&nbsp;<\/p>\n<p>and one of the very first music press article about &#8220;Her Majesty&#8221;:<\/p>\n<figure id=\"attachment_4168\" aria-describedby=\"caption-attachment-4168\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4168\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/2013\/06\/melodymaker_1973_july_28_qm.jpg\" alt=\"Melody Maker July 28 1973\" width=\"450\" height=\"684\" \/><figcaption id=\"caption-attachment-4168\" class=\"wp-caption-text\">Melody Maker July 28 1973<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4164\" aria-describedby=\"caption-attachment-4164\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4164 size-full\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/2013\/06\/1973_nme_Queen_Ad_qm.jpg\" alt=\"1973_nme_queen_ad_qm\" width=\"400\" height=\"585\" \/><figcaption id=\"caption-attachment-4164\" class=\"wp-caption-text\">New Musical Express July 21 1973<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4165\" aria-describedby=\"caption-attachment-4165\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4165\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/2013\/06\/73NMEQueen18thAug.jpg\" alt=\"1973 NME Queen AD 1 18 aug\" width=\"500\" height=\"363\" \/><figcaption id=\"caption-attachment-4165\" class=\"wp-caption-text\">1973 NME Queen AD \u00a018 aug<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Look what Tony Brainsby, first Queen publicist wrote back in late summer 1973:<\/p>\n<p>&nbsp;<\/p>\n<p><em>QUEEN &#8211; and it&#8217;s not often you can make a promise you just know will turn out true &#8211; are probably the most spectacular, dazzlingly inventive and visually stunning new band you&#8217;ll ever have heard in a long, long time.<\/em><\/p>\n<p><em>Rash?\u00a0\u00a0 Not really, because QUEEN have already captured the imagination of the Rock &#8216;n&#8217; Roll business.\u00a0\u00a0 How mamy new bands have you heard lately that could move &#8216;Melody Maker&#8217; to call them &#8220;amazing&#8221; and \u201cNew Musical Express\u201d to say &#8220;if these guys look just half as good as they sound, they could be huge&#8221;? And all on the strength of a debut album, &#8216;Queen\u201d, recorded nearly eighteen months ago?<\/em><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1531\" aria-describedby=\"caption-attachment-1531\" style=\"width: 363px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1531 \" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/Tony-Brainsby-presenting-Queen_wm.jpg\" alt=\"Tony Brainsby presenting Queen_wm\" width=\"363\" height=\"500\" \/><figcaption id=\"caption-attachment-1531\" class=\"wp-caption-text\">Tony Brainsby presenting Queen (original press sheet)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>They even fooled John Peel, who raved about the synthesiser work throughout that album and the debut single from it \u201cKeep Yourself Alive\u201d.\u00a0\u00a0 The catch? &#8211; it wasn&#8217;t a synthesiser at all.\u00a0\u00a0 Just Brian May&#8217;s dazzling lead guitar work.<\/em><\/p>\n<p><em>QUEEN &#8211; Freddie Mercury (lead vocals), Brian May (guitar, vocals), Deacon John (bass, vocals) and Roger Taylor (drums, vocals) &#8211; got themselves together a couple of years ago, before Bowie and Roxy Music came along to turn Glam Rock into the first new music wave of the seventies.\u00a0 QUEEN are glamorous, bui all it&#8217;s down to is sheer charisma and perfection.\u00a0\u00a0 There&#8217;s not a trace of mascara anywhere near them .\u00a0 QUEEN are quality.\u00a0\u00a0 They&#8217;re a name on everyone&#8217;s lips ..\u00a0 and they could just turn out to be the new band of the seventies.<\/em><\/p>\n<p><em>They made their debut on record back in the early summer.\u00a0\u00a0 They&#8217;ve been working since on their second album and single.\u00a0\u00a0 And perfecting their live act for their debut British tour.\u00a0\u00a0 Now that\u2019s come about, when QUEEN support Mott the Hoople throughout November and December,\u00a0\u00a0 They&#8217;re ready.\u00a0\u00a0 Are you?<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Queen&#8221; was reissued in early 80&#8217;s in UK, as well in other EU countries under the FAME \u00a0label as part of reissue series.<\/p>\n<figure id=\"attachment_2645\" aria-describedby=\"caption-attachment-2645\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/queenmuseum.com\/queen_fame_label\/\" rel=\"attachment wp-att-2645\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2645\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/Queen_fame_label.jpg\" alt=\"Queen!_fame_label\" width=\"500\" height=\"486\" \/><\/a><figcaption id=\"caption-attachment-2645\" class=\"wp-caption-text\">UK Fame reissue LP<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The catalogue number is FA 3040; matrix are: side A:\u00a0YAX 4623-5 \u00a0Blair (NICK) B: YAX 4624-6 (NICK). You can easily spot this issue even from the cover. It has a Fame logo printed in the top right corner.<\/p>\n<p><a href=\"https:\/\/queenmuseum.com\/queen_fame_ps\/\" rel=\"attachment wp-att-2644\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2644 aligncenter\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/Queen_fame_ps.jpg\" alt=\"Queen!_fame_ps\" width=\"500\" height=\"316\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Last reissue in heavy weight vinyl is from 2009. Parlophone with EMI classic label.Bar Code on the back PS.<\/p>\n<p><a href=\"https:\/\/queenmuseum.com\/queen1_label2009reissue\/\" rel=\"attachment wp-att-2647\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2647\" src=\"https:\/\/queenmuseum.com\/wp-content\/uploads\/queen-1973\/queen1_label2009reissue.jpg\" alt=\"queen1_label2009reissue\" width=\"500\" height=\"496\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"2416a19e08873d0076105f82e7f970da\" data-index=\"3\" style=\"float: none; margin:0px 0 0px 0; text-align:center;\">\n<script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-6280590296994447\"\r\n     crossorigin=\"anonymous\"><\/script>\r\n<!-- stretto -->\r\n<ins class=\"adsbygoogle\"\r\n     style=\"display:inline-block;width:500px;height:100px\"\r\n     data-ad-client=\"ca-pub-6280590296994447\"\r\n     data-ad-slot=\"5886106757\"><\/ins>\r\n<script>\r\n     (adsbygoogle = window.adsbygoogle || []).push({});\r\n<\/script>\n<\/div>\n\n<div style=\"font-size: 0px; height: 0px; line-height: 0px; margin: 0; padding: 0; clear: both;\"><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;Queen&#8221; was officially out in UK \u00a0on July 13th 1973; \u00a0you probably know everything about early days and how the<\/p>\n","protected":false},"author":1,"featured_media":4443,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[28,30,10,23,14,16,21,90,34,29,27,18,17],"class_list":["post-1458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-queen-rare-records","tag-acetate","tag-brian-may","tag-colored-vinyls","tag-emi-records-uk","tag-freddie-mercury","tag-john-deacon","tag-pre-queen","tag-queen","tag-queen-rare-records-2","tag-record-plates","tag-test-pressing","tag-tim-staffel","tag-top-rarity"],"acf":[],"_links":{"self":[{"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1458"}],"version-history":[{"count":0,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/posts\/1458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=\/wp\/v2\/media\/4443"}],"wp:attachment":[{"href":"https:\/\/queenmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/queenmuseum.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}